June 24, 2008

Pandora's Box

Pandora's Box
C 2004 by Naomi Baltuck

001_3 “You already have a pet. You have nineteen of them,” I told my daughter Bea.
“Fish don’t count, Mom. I need something with fur,” she said.
“Daddy and I are allergic to cats and dogs. They make him itch and me wheeze.”
“What about a guinea pig or a hamster?”
“They stink, you have to change their cages, and for what? Unresponsive vermin.”
I knew something of hamsters in captivity. My sister’s kids had had a hamster named Little May. Little May had lived hard and fast, and had died young. A life of costume parties, wild shirt-pocket rides, playing the “show and tell” circuit, and a brief-but-thrilling flight career; it was all too much for Little May. She died at the tender age of six months; I suspect it was suicide.
But the lifespan of a rodent was a degree of commitment that was willing to consider.
“No guinea pigs,” I said.
“Why not?” asked Bea.
“I want no critter too big to flush down the toilet.”
“How ‘bout a hamster?”
“Yes, you may have a hamster, but only if you promise to be responsible for feeding and cage cleaning, and accept that a hamster’s lifespan is less than that of a guppy. “
The girls agreed to my conditions, and soon we were dabbling in the world of hamster husbandry. Why they call it that, I will never know, because my husband didn’t have anything to do with it. “The Little Baggage” was a black and white Teddy Bear Hamster. By the time we added up the cost of her cage, the purple igloo,color-coordinated water bottle and bowl, half a ton of cedar bedding, blueberry yogurt drops, vitamins, and, of course, the hamster potty, our six dollar hamster far exceeded the dollar-a-month investment I had anticipated.
All we needed was a name. That, at least, was free. Since she had come to us for Hanukkah, I voted for “Herschela.” I was the only one who voted for Herschela. I was also the only one who voted for “Wildfire,” “Hamlet,” and “Fido.” Finally, the girls settled on “Pandora.” An apt name, for her appearance was and still remains a mystery. Her purple cage became the infamous “Pandora’s Box,” and we opened it again and again. Like that divine creation of the Gods, our Pandora inspired story, song, and poetry. Within days of her arrival, the girls had adopted a new family crest, a black and white hamster wearing a tiny golden crown. Clearly, Pandora, the Princess of Petco, was destined to rule.

Feral gerbils feed on brand-new bed sheets, and hide the leftovers under the refrigerator. I learned that in the third grade when Napoleon, the school gerbil, stayed at our house over spring break. In sixth grade, when Linda Witkowsky put her hamster, Winky, into my hands, it struggled so furiously that it went winky all over my blouse, its eyes bulged, and so did mine. I hadn’t touched a rodent since.
Now I was learning more about hamsters than I ever wanted to know. Hamster is from the German root word for “hamper,” as in laundry hamper, container, storage bin. From observation, I judge that a hamster can hold eight to ten times its own weight in cheek pouches that stretch the full length of its body. No wonder they don’t carry purses! This was graphically illustrated to me after the first time the kids loaded up Pandora with peanuts, sunflower seeds, yogurt drops, carrots, and Cheerios, then turned her loose in the bathroom. Let me tell you, she left an impressive hoard in the corner behind the toilet. We left it there for three days, as a sort of monument.
Pandora was a good-natured little creature, surprisingly tolerant of handling and mishandling. Her paws were so human-like that when she gripped a cracker and nibbled, she looked just like a kid with a peanut butter sandwich. She used the same technique when nibbling buttons off the front of a shirt. She was cute, the way other peoples’ grandchildren are cute; in a wallet. I was still convinced that I could ride this out without any Close Encounters of the Third Kind, until the first time the girls changed the bedding in her cage. They held out the Beast and cooed, “Go to Grandma.”

002_2

I was soon babysitting on a regular basis. Not content to sit in your lap and purr, Pandora was a perpetual motion machine. We got her an exercise ball, and soon the house rumbled like thunder as she raced down our long hallway. The girls made seltzer bottle airplanes, Lego mazes, palaces of toilet paper rolls. She could become a hula girl, a Renaissance Queen, a Greek Goddess, or a bikini-clad bathing beauty, depending upon which hole in the Kleenex box she peeked out.
They warn you against looking into a snake’s eyes, but no one ever said a thing about hamsters. I’d drop clean laundry in Elly’s room and see Panny in her cage, sitting back on her fat furry bottom, staring up at me with big brown eyes. I knew what she wanted. I half expected her to run a little tin cup along the bars of her cage.
I recall the first time I gave in to impulse. It wasn’t Pandora’s good breeding that brought her scurrying to greet me at the door. It was because mine were often the hands that fed her. Still, I marveled when she stepped out of her cage and put her life into my waiting hands. Dogs love and trust their humans, but what drives a hamster? Is it trust, or are they too stupid to know fear? Are we simply too big to be regarded as anything but a landscape? In any case, when I felt Panny’s tiny heart beating against my palm, it was strangely touching.
One night the cage was not properly latched, probably due to my own carelessness. Panny climbed from the second storey of the cage to the top of the dresser and down to the floor to take a walk on the Wild Side.
That night, Bea had been especially concerned about losing her, and she awoke knowing that Pandora was gone. Tears were shed, but then we got down to business. As we searched under beds and in closets, I tried not to think of Cousin Jean’s grim story of the family gerbil that set out to seek its fortune. Months later, she found it trapped in a half-open dresser drawer in the basement, keeping the company of maggots. While emptying the hall closet, I heard a sound from the basement, a really big sound.
“Elly,” I called down the stairs, “try searching more quietly, so you can hear her.”
“What, Mom?” asked Elly, appearing at my elbow.
“Oh! I thought you were downstairs. That can’t be Panny; it sounds like a chainsaw!”
We placed three peanuts in each room and closed the doors, blocking the crack underneath with towels. If the peanuts went missing, we’d know which room she was in. In the central rooms we placed treats in buckets with little ramps leading up to them.
“They check in, but they don’t check out,” I explained.
“What if she’s not hungry?” asked Bea.
“Maybe she forgot to pack her cheeks before she left. Sooner or later she’ll come out to forage,” I assured her. “It’s the Hamster Way.”
I had a feeling that Panny had followed her bliss into the bowels of the basement. Silence was crucial, so we read books in the gloomy basement waiting, listening. The furnace clicked on, and we jumped. Tick, tick, tick went the clock. Then we heard it: that grinding noise that I’d heard from upstairs. We looked at each other, and nodded.
We called our downstairs rec room The Forest. It was a jungle of silk vines and fake trees, with a cave of chicken-wire and ivy-covered survival blankets built around the fireplace. I dreaded having to conduct a search in The Forest, but it was even worse than that. We followed the sound to the foot of the stairs, and it was coming from inside the staircase. That could mean only one thing…
Pandora had entered the Black Hole, where no hamster had gone before. Our storage room sucks everything into another dimension, where it morphs into high density matter; cardboard boxes, styrofoam packing material, skis, roller skates, camping equipment, the girls’ baby things that I am saving for my unborn grandchildren, stacks of Rubbermaid containers holding every object d’art my daughters have ever created, a slide projector and countless cases of old slides, my medieval tankards and sci-fi dinnerware, my dead uncle’s stamp collection, carpet remnants that we might need someday, the hardened dregs of house paint to match the color before the last, the meat grinder my Mom used to make the bologna and relish sandwich spread that I loved s as a kid, but will never make, because we are vegetarians. Blacker than a Black Hole.
“At least she’s alive,” I told Bea. We followed the noise to the darkest corner, to the underbelly of our basement stairs. We peeled and hauled away the layers, beginning with folding chairs that come out for parties, and working down to stained glass scraps from a class taken twenty-five years before. Then I saw her, snuggled up in a sawdust nest built by gnawing the wooden underside of the stairs. Panny was just out of reach, protected by a framework of two by fours. I was afraid to make a grab, for fear of scaring her into hiding. I held out my hand. “Come on, Sweet Pea…”
Hamsters are loners, pairing up only long enough to mate, and even that brief interaction is not pretty. They are so territorial, that even the most tender hamster mothers will drive away their offspring after they mature. Why would Pandora give up her newfound freedom? What could we offer to match a brand new house in the sub-suburbs? Would she respond to the whispered promise of a yogurt treat? Not likely: there was enough macaroni art down there to last a hamster lifetime…
“Come on, Panny. Come to Grandma…”
Panny looked at me with her big brown eyes, then crept out of her cozy nest into my outstretched hand. I cannot describe my relief. My wonder! And love…definitely love.
One night, soon after, Bea demonstrated Panny’s newest trick. “Up, Panny, up!” she called, and Pandora climbed the bars to the ceiling of her cage in response to Bea’s voice alone! I beamed with pride at my grandbaby’s cleverness, and ran for the camera.
The next morning, it was clear that Pandora had been sick in the night. She was trembling and listless. I cleaned her up while the girls cleaned the cage. “Maybe she just needs to rest,” I said, setting her in the bathtub with some nesting material, and her little purple igloo, but she lay down listlessly in the corner of the tub. While the girls finished the cage, I whispered to my husband Thom, “I’m afraid she’s really sick.” Thom picked her up, softly stroking her. She looked especially tiny in his big hands. Her condition worsened. The next morning, before Thom left for work, I confided, “I don’t think she’s going to make it.” My sometimes-too-practical husband replied, “We have a big emotional investment to protect. It might be worth a trip to the vet.” I knew at that moment that I would love Thom forever.
In for a Panny, in for a pound. The vet gave our $6 hamster $100 worth of fluids and antibiotics.
“Do other people bring their hamsters in?” I asked the vet, feeling a little foolish.
“Oh, yes,” she assured me.
“And do they get better?”
She hesitated. “Sometimes.”
003Hamsters get the flu and bacterial infections, just like people, but they are fragile creatures. In the wild a delicate constitution is irrelevant, as few hamsters die of old age; most become fodder for foxes and hawks. Whatever happens, the vet said, better to face it at home, where the girls would be a part of it, and where Panny would be more comfortable. So it had come down to hamster hospice. That night, we gave her a few CCs of water, and tucked her into her little nest.
The next morning, Elly discovered Pandora’s lifeless body in a corner of the cage. Before leaving for school, she wrote a letter of consolation to her little sister to read when she awoke. But there was no comforting Bea. Bea looked up at the rain pouring down outside and sobbed, “Even Mother Nature is crying.”
Bea was in no condition to go to school. Between bouts of overwhelming grief, she stitched a tiny purple quilt and pillow, made a little golden casket, and decorated it with plastic jewels. She fashioned a tiny golden crown from cardboard, as befitted a princess. Solemnly she tucked in Pandora for the last time, with a tuft of her favorite nesting material and a peanut. She engraved the inside lid of her casket with Pandora’s favorite lullabye, “So it will be like I am singing to her forever,” she said.
It was an open casket funeral. Elly made the headstone out of popsicle sticks, while Bea planned the service. I made copies of Bea’s hymn, “Hamsters We Have Heard on High,” so that the mourners could join in. Elly and their friend Sophia played flute and recorder to accompany Bea while she sang, “Sleep, Baby, Sleep,” one last time.
Bea’s tearful elegy was simple, but eloquent. “Her Grandma said that she never knew she could love a rodent, and her Grandpa never said he loved her, but he did. She is an angel now. A furry little angel.” I looked at Thom, and was surprised to see him wipe away a tear.
“Does Daddy love her?” Bea had asked, when Panny first fell ill.
“Yes, in his way,” I told her. Now I knew it was true. Did the girls love her? Absolutely, passionately, unconditionally. And did Panny love us? Yes, I’m sure she did, in her Hamster Way. Panny taught us all a great deal about love, and the sorrow that is the price we gladly pay for it. And even the passing of a hamster is a reminder to us all to appreciate every moment of this precious, fleeting gift of life.
Bea will tell you that Pandora Athena Baltuck Garrard lived a very full life, and packed a great deal of love into her 18 short months. And I will tell you that my first grandchild will always be the one with fur on her face.

March 06, 2008

To Learn More About Writing Your Own Story, Here is a Link To KIM PEARSON, Fellow Author and Expert in the Art of Writing Memoirs

http://www.primary-sources.com/blog/

February 26, 2008

A SECRET OBJECT I KEEP HIDDEN IN THE BACK OF MY UNDERWEAR DRAWER


A SECRET OBJECT I KEEP HIDDEN IN THE BACK OF MY UNDERWEAR DRAWER
c 2007 by Naomi Baltuck

Yes, I really do have a secret object that I keep hidden in the back of my underwear drawer. It is a teeny tiny doll-sized white cotton undershirt. It was in a bag earmarked for the Salvation Army, but at the last minute I snatched it back from among the outgrown astronaut foot pajamas, hand-knitted booties, and Alice-in-Wonderland baby dresses. And I tucked it in the back of my underwear drawer.

Since it is the same color as everything else in there, except for my Saturday night undies, you wouldn't even know that it's there, if you didn't know where to look. That little shirt isn't a family heirloom, nor is it unique or valuable in any way, except to me. That's because my daughters Elly and Bea both wore it as fuzzy-headed milk-scented cooing and gurgling most-beautiful-in-the-world newborn babies.

Once in awhile that tiny white shirt still sees the light of day. Not on those "hurry up or we're going to be late! mornings," but sometimes on a quiet afternoon, when I'm putting away freshly folded laundry. On those special days when I take it out and look at it, I can almost smell the baby shampoo, can almost feel the round little tummies that used to fill that shirt. And every time I take it out and look at it, I marvel that my grownup girls were ever tiny enough to fit into it.

Recently I realized that, if anything ever happened to me, no one in the world would know or even care what happened to that little shirt. It would be dumped with the rest of my underwear into a bag earmarked for the Salvation Army. So I showed it to my daughter Bea, who thought it was cute. Then I told her about her first night home from the hospital. She was wearing the little white undershirt, or one just like it, when I picked her up to nurse her. As I watched her lying on the bed beside me, by the soft night light, I was filled with awe at the sight of this new little person looking up at me like a little old wisewoman. I smiled in wonder at her perfect little toes, and her tiny little feet, and those exquisite little fingers. And just as I was nearly overcome and moved to tears at the miracle of life and birth, she reached up with her tiny little finger and poked me right in the eye. Ever since then, I told Bea, she has kept me from taking myself too seriously.

Then I told Bea about how, when she first came home from the hospital, wearing that tiny little shirt, or one just like it, her four year old sister Elly rubbed her tummy and told her everything she would need to know to get by in the world. "You only get to drink milk right now, but when you're a big girl," confided Elly to her brand new baby sister, "you get to have macaroni and cheese from a fork. And some day you'll learn to walk, and then run, but you have to be careful or you might fall down and scrape your knee, and then you'll bleed, but your blood has platelets that will make a scab and you won't bleed any more, but you can't pick the scab or you will make it bleed again..." What a warm, wise welcome into our family Bea received that day! Somehow that baby undershirt was not just an undershirt anymore. It was a priceless treasure woven from the fabric of stories.

What other treasures do I have that house stories, eager to be told? The china bowl on my dresser, I tell my children, once belonged to their Great Great Grandma Brownyer, whose ancestors came over on the Mayflower. That is a story for another time. I wanted to tell them about how their Great Great Grandma Brownyer was orphaned far too early in life, abused by strangers, adopted by others, and orphaned yet again before she was fifteen. Yet in the late 1870s, or perhaps it was the early '80s, in the days when every manufactured cigarette was hand-rolled, she supported herself by working in a cigarette factory. Sometimes she and the other young women she worked with would take the cockroaches that crawled across their worktables, and roll them into cigarettes to make each other laugh. Because if you couldn't laugh, you might cry. Great Great Grandma Brownyer chose laughter.

There is a tale that hangs on every picture, most of them painted by my sister Constance, that decorates the walls of my house. To every object, there is a story or two or ten, from the dining room set that I brought from Detroit after my mother died, to the tiny orange-scented perfume bottle in my jewelry chest, the only tangible gift I still have from my father.

To every story, there is an object. Look around and think about what gives your things meaning, and I'll guarantee there's a story to go with it. Perhaps you never told it because you considered it too tiny, too mundane, too silly to share. But little stories often hold bigger truths.

Am I teaching my children to worship things? I don't think so. From the time they were little, I have told Elly and Bea, "People are more important than things." That's what we said every time there was an accident and something got broken. It's what I told my husband Thom when he was washing the dishes after a dinner party and accidentally broke one of my great grandmother's crystal goblets. I valued the goblet, but once it was broken, I never missed it. What I still have is a story about how lucky I was to marry a guy who was man enough to wash dishes. So the object of a story might change, even after the object no longer exists. Like the story of the tailor's overcoat: after it was worn down to a buttonhole, there was still enough good material left to make a story.

On the wall of my kitchen is displayed a picture that my daughter Bea drew of a paintbrush and an artist's pallet, and underneath she wrote, "Only the artist knows the story of her painting." That's so true. Unless you tell the story to your children, to your lover, to your friends, or to your enemies, that story will disappear when you do. But tell it, and it will take on a life of its own. Most stories are not written in stone. Most stories change and grow with each telling, and each teller. Perhaps one day my daughter Bea will show that very same teeny tiny undershirt to her children and say, "When I was a baby..." Or perhaps the shirt will end up in a bag of underwear earmarked for the Salvation Army, and then Bea might say, "My mother once saved a tiny white undershirt from the rag pile, and kept it in her underwear drawer, and sometimes she took it out and showed it to me, and told me stories about when I was a baby..."

January 12, 2008

Upcoming Public Appearances

The majority of my performances take place in private settings,such as schools and conferences, but listed below are some performances that are open to the public. I hope you can come!


A Space for Hope: Stories in solidarity with the people of Darfur
7PM, Monday January 14th
Seattle Healing Arts
6300 9th Ave NW 3rd Floor
Seattle, WA 98115
Entrance free. Donations accepted for Doctors Without Borders' programs in Darfur and Chad.
Call 425-765-6208 for more info or directions

On Monday January 14th, 2008, help create "A Space for Hope" for the people of Darfur. Four storytellers will come together to tell stories that honor the resilience of the human spirit in times of darkness. For one evening, we celebrate the beauty of world culture and stand in solidarity with the Darfurians as they struggle for survival.

Our storytellers focus on stories of hope and the power of the human spirit to rise against all odds, just like the people in Darfur are struggling to do. Each story comes from a place in the world currently experiencing violence. Naomi Baltuck and her family will tell stories from Russia, drawing upon her family history from the Ukraine. Mary Brugh of Seattle will tell a tale from Ireland. Grace Hall of Snoqualmie will tell a folktale from Sudan. And, finally, Naomi Steinberg of Vancouver BC will share a story from Israel.
All money raised at A Space for Hope: Stories in Solidarity with the People of Darfur will be donated to Doctors Without Borders's program in Darfur and Chad. The UN has labeled Darfur the worst humanitarian crisis facing the world today and Doctors Without Borders has played a key role in the humanitarian aid effort in Darfur. It is one of the very few organizations still working in the region despite the increased number of attacks on humanitarian aid workers. It provides emergency and ongoing health care to victims of violence (sexual and physical) as well as disease and malnutrition.
Please come make a difference for the people of Darfur. Come in peace, knowing that another world is possible, we just have to make it so. Let stories show us the way.

January 23, 7-9:30PM--Edmonds Storyteller's Circle: A Winter Series of Storytelling on the Waterfront. Naomi Baltuck and Thom Garrard and two other tellers (TBA) will share stories "Born of Wind and Waves." At Faces of the Northwest, 300 Admiral Way, Edmonds, WA, Wine will be served. For reservations, call Faces of the Northwest @425-771-2000.

March 8th--"Windows in Time." 11 AM. True stories of a little girl growing up in Seattle at the turn of the century, for Womens' History Month. Renton History Museum. For more information, call (425) 255-2330.

March 15th, 10:30 AM, for St. Patrick's Day, "Stories and Songs for the Irish at Heart." Peninsula Pierce County Library. For more information, call (253) 536-6500.

June 25th. White Center Library. Eaten Alive! : The Mighty Mosquito in Legend, Lore, and Song. Ever wonder where mosquitoes came from, why we need them, and how to put up with them?  Drawing upon the wisdom and humor of many world cultures, Naomi Baltuck and Thom Garrard, and their daughters Elly and Bea, will celebrate The Mighty Mosquito through story and song.  Catch the buzz with these dynamic tandem tellings of a scary Basket Woman Ogress legend of the Haida people, a sly Hawaiian trickster tale, African and Balinese wisdom tales, as well as some good old fashioned sing-along fun for the whole family. (206) 243-233.

Flyswatters_2June 26th. Kingsgate Library. 1PM. Eaten Alive! The Mighty Mosquito in Legend, Lore, and Song.

July 1st. Burien Library. 1PM. Eatien Alive! The Mighty Mosquito in Legend, Lore, and Song.206-243-3490

July 1st. Bothell Library. 7PM. Eaten Alive! The Mighty Mosquito in Legend, Lore, and Song. 425.486.7811

July 2nd. Black Diamond Library. 10:30 AM. Eaten Alive! The Mighty Mosquito in Legend, Lore, and Song. (253)630-8761

July 7th. North Bend Library. Eaten Alive! The Mighty Mosquito in Legend, Lore, and Song. 425-888-0554.


December 10, 2007

DECEMBER STORY STRETCHES

'TIS THE SEASON!...

Don't forget to pull your winter stories out of the deep freeze and thaw them out in time to celebrate the winter holidays. Your programming might include Christmas, Hanukkah, Kwanzaa, and Ramadan stories and traditions, as well as seasonal themes, from wintertime and snow days to colds and flu shots. Below I have listed some resources you might find useful, and a few stretches to add to your seasonal repertoire.

SNOWY DAY: Stories and Poems, edited by Caroline Feller Bauer, is a good source of material, if you are telling winter stories. "Here are poems and stories to match every mood...there's a Russian folktale about the beautiful snow maiden who comes to life, Isaac Bashevis Singer's story about a snowy evening in the village of Chelm when the village elders decide a valuable treasure has fallen from the sky, and a story from Japan about a man who is rewarded for his kindness to six statues. This diverse collection of stories and poems is sure to captivate...So, put on your parka, pull on your boots, and read about snow!"

The Return of the Light: Twelve Tales from Around the World for the Winter Solstice by Carolyn McVickar Edwards, is a retelling of traditional stories about light from all over the world, from the Inuit story about how Raven steals the light to the Italian folktale about La Befana and the Royal Child of Light. At the end of the book is a selection of rites, games, and songs to sing.


DID YOU KNOW...

What goes "Ho, ho, ho, plop?"
(Santa laughing his head off!)

What does a near-sighted gingerbread man use for eyes?
(Contact raisins!)

"The Snow Queen With the Cold, Cold Heart," is a story that is packed with winter fun, and it includes plenty of opportunity for participation for kindergarten to fifth grade audiences. You can find it in my book, Crazy Gibberish and Other Story Hour Stretches, as well as on the award-winning CD of the same name. (See my website bookstore to purchase a copy).

"Snow Bunting's Lullabye" is a Siberian folktale retold by Margaret Read MacDonald, in her book, Tuck-Me-In Tales . It is sassy and sweet, and will appeal to young and old listeners. Best of all, there is plenty of opportunity for audience participation in this story.

THE MITTEN by Alvin Tresselt is an ALA Noteable picture book that is also a wonderful winter story. There are many versions of this tale in print, including one by Margaret Read MacDonald in her book DON'T LOOK BACK: Twenty Lively Tales for Gentle Tellers, that includes plenty of audience participation.


FIVE LITTLE SNOWMEN Adapted by Naomi Baltuck

Five little snowmen all in a row. (hold up five fingers)
Five little snowmen all made of snow. (shiver)
Out came the sun and shone all day, (draw circle of sun with finger held high, fingers become rays of sun)
And one little snowman melted away. (use both hands to show snowman drooping)

Four little snowmen all in a row.
Four little snowmen all made of snow.
Out came the sun and shone all day.
And one little snowman melted away.

Three little snowmen all in a row.
Three little snowmen all made of snow.
Out came the sun and shone all day,
And one little snowman melted away.

Two little snowmen thought up a good plan. (point to head and nod)
Into my kitchen they both ran, (run in place)
Into my freezer, where the temperature's just right. (shiver)
And they come out to play on very cold nights! (jump up, holding arms out)


MY FAVORITE WINTER CRAFT IDEA

When I was teaching in the classroom, we made marshmallow snowmen. It requires some prep time to cut out felt bow ties, circles of felt for buttons, hats, eyes and noses, and to sew a loop of thread through the cap of each snowman so that it may be hung from a tree. But the result is well worth it.

1. Glue two big marshmallows together, one on top of the other, to form the body and head of the snowman.
2. Glue four mini marshmallows to the bottom marshmallow for arms and legs.
3. Glue a felt circle just large enough to cover the snowman's head, with the loop on top for hanging.
4. Glue four smaller round felt circles (I use red) to cap the ends of the mini marshmallow arms and legs.
5. Glue two small dark blue circles onto the top marshmallow for eyes, and one just underneath it for a
mouth.
6. Glue a little red felt bow tie where the marshmallows come together, with a little green felt button in the
middle of the tie for decoration.
7. Glue two little green buttons on its tummy, in a line just under the tie.

These ornaments are not supposed to be eaten, but they look so good that one pupil's younger sister couldn't resist nibbling the back side of a snowman while it was hanging on the tree. My student had made several snowman ornaments. After discovering that the first one had been taste-tested, she checked the others; they had all been sampled. Fortunately, the guilty party lived to tell the tale. If you use non-toxic glue, such as Elmer's, then no harm is done.

However you celebrate the season, stay warm, have a very happy holiday, and a Happy New Year.

Happy tales,
Naomi

December 07, 2007

Pierce County Librarians Create Some Great New Stretches!

On November 29th I presented a workshop on Story Stretches to Pierce County Librarians. We had participants who worked with every population, from babies to toddlers to school age and teenagers to senior citizens. I presented lots of material that they can add to their repertoires, but we also spent some time creating some brand new story stretches. The material participants came up with was fresh, fun, snappy, and sweet. You can be certain that it will be used in upcoming programs. They have generously allowed me to feature their original story stretches in this publication.

THE ITSY BITSY DACHSUND
Sung to the tune of "Itsy bitsy Spider"

The itsy bitsy dachsund was playing in the grass.
Out came the cat and gave the dog some sass.
Out came the mom and shooed the cat away,
And the itsy bitsy dachsund came out again to play.

By Lauren Murphy, Dave Durants, and Judy Nelson.


For some sweet material for a Valentine's Day
program, try the following stretches.

HERE'S A HEART

Here's a heart for you.
Here's a heart for me.
This heart is_______(color),
As you can see.

Here's a heart for me.
Here's a heart for you.
I think ______(child's name)
Would like one, too!


HEARTS IN THE BOX
(Sung to the tune of "The Wheels on the Bus")

There are hearts in the box for Valentine's Day,
Valentine's Day, Valentine's Day.
There are hearts in the box on Valentine's Day,
And this is what they say.

The red heart says, "I love you,
"I love you, I love you."
The red heart says, "I love you."
That is what is says.

The blue heart says, "Blow a kiss,
"Blow a kiss, blow a kiss."
The blue heart says, "Blow a kiss."
That is what it says.

The yellow heart says, "Give a hug....

The kids with the box go "Crunch, crunch, crunch...

Now the hearts are gone.

By Naomi Smith, Bonnie Anderson, and Carol Hopkins.


VALENTINE, VALENTINE

Valentine, valentine, turn around.
Valentine, valentine, touch the ground.
Valentine, valentine, blowing up high.
Valentine, valentine, falling from the sky,

Pick 'em up, pick 'em up , pick 'em up quick!

Valentine red, valentine blue,
I'll give them a kiss and send them to you!

By Seung, Emily, Jackie, and Peggie.


SNOW IS FALLING
(Sung to the tune of "Skip to My Lou")

Snow is falling down from the sky (fingers fluttering)
Snow is falling down from the sky
Snow is falling down from the sky
Let's go make a snowball! (pack a snowball, plop it down)

Roll a snowball faster now (roll hands, increasing speed)
Roll a snowball faster now
Roll a snowball faster now
Look-a bigger snowball! (plop down a bigger shape)

Roll a snowball down the hill (roll hands, swoop down hands)
Roll a snowball down the hill
Roll a snowball down the hill
That's the biggest snowball! (plop down a really big one)

Build a snowman 1-2-3 (stack 3 snowballs)
Build a snowman 1-2-3
Build a snowman 1-2-3
WOW! He's as big as ME!

By Kris, Sandy, Alex, and Jami


FIVE LITTLE ANIMALS ON THE FARM

Five little animals on the farm.
The sun is setting low.
It's time for them to go in the barn.
Hear the cow go..."MOOOO."
Bye bye, cow!

Five little animals on the farm.
The sun is setting low.
It's time for them to go in the barn.
Hear the duck go...QUACK."
Bye, bye, duck!

Hear the hen go..."BUCK, BUCK, BUCK."

Hear the sheep go..."BAA."

Hear the pig go..."OINK."

By Lorianne Callison and Susan Anderson-Newham


OWL FLYING

Owl flew over the mountain.
Owl flew over the tree.
Owl flew over the river,
To see what he could see.

He saw the moon on the mountain.
He heard branches rattling in the trees.
He saw the fish in the river,
And he saw ME!

ByJ.T. Isch, Tamara Sarinan, and Dawn Hornsby


The following stretches are perfect for a snow day. They are
also an excellent example of tailoring a stretch to make it
age-appropriate for a particular audience.

GLITTER, GLITTER, LITTLE FLAKE
(To the tune of "Twinkle, Twinkle, Little Star")

Glitter, glitter little flake,
Like the sprinkles on a cake.
Swirling, swirling all around,
Falling, falling to the ground.
Glitter, glitter, little flake,
You're so cold, you make me shake!

GLITTER, GLITTER, LITTLE FLAKE
(For school-aged kids)

Glitter, glitter, little flake,
I hope you're here when I awake.
Keep on falling through the night.
Make the roads a solid white.
Tomorrow there's a test to take,
But you can save me little flake!

By Brad Jacobsen, Genevieve Dettmer, Alison Pascone, and Sheri Skuja

December 05, 2007

Lost and Found: A Treasure Trove of Stories in a Small Italian Village c2007 by Naomi Baltuck

P1010033_3_2My sister Constance and I have always marveled at the similarities between our chosen arts, storytelling and painting. We each use a creative form of self-expression to tell our stories, although Con tells hers with a paintbrush, and I paint my pictures with words. On our recent trip to Italy, I came to the realization that the most awesome quality of both painting and storytelling is not the ability to capture a moment, but to recreate it.

Con and I were looking for Etruscan tombs when we stumbled upon Pitigliano, a gem of a Tuscan hilltop town. We had found other towns that were lovely to look at, but none nearly so compelling. Perhaps it was the story that helped us to connect with the place. Wandering through the narrow winding streets of the ancient Jewish ghetto in Pitigliano, my head was filled with just-learned stories of its unique past, and my heart went out to this town like it had nowhere else in Italy.

I stopped, suddenly overcome by a scene that took my breath away. In all its simple eloquence, it seemed to capture the essence of Italy. At the end of a narrow side street in this ancient hilltop town, on a doorstep festooned with flower pots as colorful as the history of this place, two cats curled up together in one flower pot. One cat was black and white, the other completely black. To me, they symbolized the concrete world of black and white, living side by side in harmony with the fluid world of shadow and mystery. Framed by high dark medieval walls at the end of the street, was the sunny Tuscan valley, alive with grapevines and olive trees, yet riddled with ancient Etruscan tombs.

P1010100_2"I must take that photo," I whispered to Con. I took out my camera, and tiptoed up the alley, hoping to get a close-up of the cats. But I came too close. Before I could snap my photograph, the cats leapt up, first one, then the other, and scurried away. I had lost the moment! Or so I thought.

That night, back in our little apartment in Orvieto, Con painted at the dining room table, while I tried to recall the day in my journal. I wrote of meeting the woman who told us that Pitigliano had been a rare refuge for Jews in the middle ages, after they were driven from Spain during the Inquisition. Even after the pope and the powerful Medici family forced them into the ghetto in 1600, they had thrived in Pitigliano, with a healthy Jewish population of one in five, in a town of just over 2,000.

Although the Jewish Museum had closed for the season, and the synagogue had closed for the day, the woman told us that, after the war and the Holocaust, a small handful of Jews had returned, and still lived in the town to protect the legacy, to care for the synagogue, and to tell the story of the Jews in Pitigliano. "How small?" I asked. She shrugged and guessed, "Maybe five?"

We went to the site of the ancient ghetto, and found the Jewish bakery, closed for the Sabbath, and the synagogue, also closed. We later read that there are not enough Jews to hold a minyan. A little shop was open, where homemade matzoh was sold, and where we bought a book of the history of the Jewish people of Pitilgliano. In that shop they also sold a baked confection unique to Pitigliano, called a "Sfratto," which means "eviction." The Sfratto has a filling of honey, crushed walnuts, and oranges, baked into a stick-shaped wafer. It commemorates the time when the Jews were evicted from their houses and forced to live in the ghetto. The eviction order was executed by the judicial officer who beat on the door of Jewish homes with a stick. The Jews of Ptigliano, wanting to keep a recollection of that event, invented this particular confection in the shape of a stick. Four hundred years later, they are still telling the story, and we are still eating it up.

As Con and I wandered down a narrow alley across from the synagogue, I heard music. It was the haunting strains of a lone Klezmer violin, so lovely that, at first, I thought it might be a recording. But the music ended quietly, and I knew that it had been played by human, or perhaps ghostly hands.

"Lantern bearers," I told Con. "Those few are holding up the light for others to see, until that time when others come to relieve them, or until a light comes along shining so brightly that a lantern is no longer needed."

I loved Pitigliano for its unique history, for providing refuge at a time when so few others would, for its tiny but stalwart population of Jews determined to protect a precious legacy, for the stories and ghosts that linger in every back alley, be they concrete accounts told in plain black and white, or the darker mysteries that linger in shadow.

P1010003_2When I had finished my journal entry, Con showed me her painting for the day. It was alive with color, and it brought to mind the fragrance of honey and walnut, the haunting strains of a lone violin. And there were my two cats, sitting right where I remembered them, curled up together in their flower pot, a perfect balance of black and white and shadow. Just as I had managed to recreate the lost moment with my words, Con's painting not only captured the concrete details of my lost snapshot; it recreated the mystery and magic of that moment better than any photograph ever could.

Her painting will be featured this month in a show at "Skeins" in Juneau, along with other paintings from our travels in Italy, Oregon, and the Tetons. But I have already claimed and purchased the painting of two cats in a flower pot. If I lose the painting to fire or flood, I will have lost a treasured souvenir of a very special trip. But I will still have the story, and that is what gave meaning to the place, at least for me. Whether it be via the printed page, radio wave, by word of mouth, or even if it comes in the guise of a Jewish confection, as long as there is someone to tell it, and someone to listen, the story will survive. and that is a precious legacy.

(Con's paintings can be viewed on her website at www.hartle.org)

November 24, 2007

The Ripple Effect

Last April my daughter Elly and I told Heather Forest’s story, “The Woman Who Flummoxed the Fairies,” at a Girl Scout tea, where scones and tea cakes baked by our girls were served to moms and aunties and grandmas, to help raise funds to get our troop to England. Our friend and troop patroness, Frieda, attended our Tea and Tales event. She enjoyed the story so much that she went out and bought Heather’s book.

Tonight, after our Girl Scout meeting, we let the kids hang out, while we grownups chatted. Frieda was there, and she told a story that I think you should hear.

Frieda is an emergency room nurse. She told us that last week an elderly man, a cancer patient, was brought to the emergency room. There wasn’t a bed available for him in the hospital, so his gurney was wheeled into a corner of the emergency room and he was left there, quite frankly, to die. It was very sad, as there was no hope, and there was little that could be done, and his family could not be reached. Frieda felt sorry for him, yet she hardly knew what to say. She took his hand and asked, “Do you want to hear a story?”

He nodded, and she began to tell him “The Woman Who Flummoxed the Fairies.” The old man held onto her hand for dear life, and listened. Before she could finish, Frieda was reluctantly called away to care for another patient. As soon as she was free, Frieda returned to the old man. He was so weak he could hardly speak, but he was moving his lips. Frieda put her ear close to his mouth, to better hear his words.

He whispered, “What happened next?”

Frieda concluded the story, and the old man gave her hand a little squeeze and shut his eyes. Later that night he died. Frieda felt that the story had transported him, at least for a little while, into a timeless world, far away from care.

Long after the storyteller’s voice is silent, her words will resonate and travel, like ripples spreading out across the surface of a pond. I wrote Heather and told her, and I wanted to remind you, too: many more people than you can ever know are touched by your work.

November 08, 2007

November Story Stretches

NOVEMBER STORY STRETCHES


Any time is a good time to count our blessings, but in November , thanks giving seems especially appropriate. When my daughters were little, at tucking-in time, we used to take a few minutes to look back at our day and think of all the good things that had happened to us. They were often very simple things, like a play date with a friend, ice cream for dessert, a bubble bath, or a sunny afternoon. Both girls are teenagers now, and very busy, but even now, when we sit down to dinner together, sometimes we still go around the table and each share one thing that made us happy that day, something that made us laugh out loud, or stop to think. Thanksgiving is a frame of mind, and I believe that it can become a healthy habit.

The following song, with words and music by Raffi, can be found on his recording, "Baby Beluga." Adults will appreciate it as much as children. Begin by asking your audience to be your echo each time you sing “Thanks a lot.”


THANKS A LOT

Thanks a lot (thanks a lot).
Thanks for the sun in the sky.
Thanks a lot (thanks a lot).
Thanks for the clouds so high.

Thanks a lot (thanks a lot).
Thanks for the moonlit night.
Thanks a lot (thanks a lot).
Thanks for the stars so bright.

Thanks a lot (thanks a lot).
Thanks for the whispering wind.
Thanks a lot (thanks a lot).
Thanks for the birds in spring.

Thanks a lot (thanks a lot).
Thanks for the wonder in me.
Thanks a lot (thanks a lot).
Thanks for the way I feel.

Thanks for the animals, thanks for the land,
Thanks for the people everywhere.
Thanks a lot (thanks a lot)
Thanks for all I’ve got.
Thanks a lot (thanks a lot)
Thanks for all I’ve got.


THINGS COULD ALWAYS BE WORSE by Margot Zemach.
There are many versions of this story, but this one is my favorite. It is a story about a poor man who feels that his little house is too noisy and too crowded. A wise rabbi shows him that things could always be worse. In the end, the man realizes that he is not poor at all, and he is very thankful to have things just the way they were when the story started. Your audience can join in on verbal refrains, and you can assign them wonderfully noisy parts as they imitate chickens, goats, cows, and crying babies.

This finger play is your chance to give a turkey a surprise happy ending.

FIVE LITTLE TURKEYS

Five fat turkeys sitting on a fence
First one said, "I'm so immense!"
Second one said, "Watch me waddle."
Third one said, "Gobble, gobble, gobble."
Fourth one said, "Thanksgiving day is coming."
Fifth one said, "Let's start running!"

The turkeys could not be found on
Thanksgiving Day.
And the old turkey farmer had this to say:
"I guess we'll have to send out for pizza."

From THE COMPLETE BOOK OF RHYMES, SONGS, POEMS, FINGERPLAYS, AND CHANTS, byJackie Silberg and Pam Schiller.

HAPPY THANKSGIVING!

Naomi

October 31, 2007

Latin American Story Stretches

P1010198_2

At the Crazy Gibberish workshop in Bend, I spoke to VIlma, a librarian and a minister, who uses storytelling in both her jobs.  Many of her listeners are Latino, and she was interested in finding good bilingual stories and story stretches.  There are many bilingual story stretches with action, catchy rhythms, and lyrics that are fun and easy to learn.   

Here is a list of some of my favorite collections:

Arrorro, Mi Nino: Latino Lullabies and Gentle Games, Lulu Delacre.

Dona Blanca and Other Hispanic Nursery Rhymes and Games, Isabel Schon.

Los Pollitos Dicen: The Baby Chicks Sing, Nancy Abraham Hall and Jill Syverson-Stork.

The Complete Book of Rhymes, Songs, Poems, Fingerplays, and Chants, Jackie Silberg and Pam Schiller.

Diez Deditos: Ten Little Fingers and Other Play Rhymes and Action Songs from Latin America, Jose-Luis Orozco.

Fiestas: a Year of Latin American Songs of Celebration, Jose-Luis Orozco.

For bilingual storytelling, Olga Loya and Joe Hayes are well known, and they both have written books with bilingual stories.  You can find Olga Loya's books, Momentos Magicos, Magic Moments, and Tio Conejo, on her website (www.olgaloya.com). Joe's books, The NIght It Snowed Tortillas and Watch Out for Clever Women! are just two of his many bilingual publications.

When I was in third grade at Newton School Elementray, a white-haired senora would teach us Spanish for fifteen minutes once a week.  After more than forty years, I still remember the following story stretch.  It is fun to do, and  easy to learn:

RIMA DE CHOCLATE

Uno, dos, tres, CHO-(cuente con los dedos de la mano)

Unoc, dos, tres, CO-

Uno, dos, tres, LA-

Uno, dos, tres, TE

Bate, bate chocolate.

CHOCOLATE RYHME

One, two, three, CHO-(count with fingers)

One, two, three, CO-

One, tow, three, LA-

One, two, three, TE.

Stir, stir the chocolate. (rub hands together as if beating the chocolate)

From: TORTILLAS PARA MAMA AND OTHER NURSERY RYHMES/SPANISH AND ENGLISH, Margot C. Griego, Betsy L. Bucks, Sharon S. Gilbert, Laurel H. Kimball.

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